Today we welcome Marianne Eloise to the Muse Shack. I found her debut poetry ‘Cactus’ enlightening, current, challenging and entertaining. It awoke in me, a fellow mover of places, some of the emotions and feelings of the author. I recommend this volume to all readers
Bio: Marianne Eloise is a UK-based writer, academic and journalist who works in the media. She loves pop culture, the coast, and 90s/00s trash aesthetics. Cactus is her debut poetry collection.
What inspires you to write poetry?
I don’t really get inspired as such, I’m just very motivated to write and work through my experiences. I also write in an attempt to preserve a place I’ve been or a particular time.
What is a measure of success as a poet?
I would consider myself successful if poetry was the only thing I needed to sustain my lifestyle, but I haven’t achieved that yet! I don’t think there are many poets who have achieved that, so for now I’d be happy just having people know who I am.
Who are some of your favourite poets?
Honestly, I don’t read poetry. I like Plath enough, but I am primarily influenced by music and literature. Traditionally, poetry can be very inaccessible linguistically so I aspire to something more easy-going or lyrical. I probably borrow more from emo music like Bright Eyes or Brand New than I do poetry.
What about Cactus? What was special about it? What inspired you to write it?
I have been publishing poetry online for over three years and I wanted a collection that I and my readers could hold and that I could share. I looked at my work to establish a theme and found that I wrote about place a lot in an effort to understand my relation to certain locations, so I gathered several of them together and wrote new ones.
What makes a poem good?
As someone who doesn’t read much poetry, I’m not sure I’m the best to answer this, but I’ll try! When I was at University and reading other students’ poetry every day, it was so immediately clear which ones were false or trying to practice forms or ideas that didn’t come naturally. I think you need to have a really strong voice and an understanding of language to know how to manipulate it and have words work well together. Trying to sound old fashioned or evoke the same voice as writers 200 years ago is a really easy way to make a poem terrible. I just don’t think that a genuine voice is something that can be taught, only practiced.
How did you publish ‘Cactus’?
After researching and soliciting a great deal of advice on how to publish through a publishing house, I realised that it could take years and I wouldn’t have the control over my work that I want. So I turned to Blurb, a self-publishing site where I could have complete control over editing, design, etc. My partner (Owain Anderson) designed the cover, which I never would have had with a traditionally published collection.
What advice would you give aspiring poets, especially those who want to get into print?
Get a real job because poetry will never pay the bills. But if you’re good work hard at it, get your work out there, do readings, make friends. Read as much of anything as you can. Have other options and expertise, because it gives your work far more depth than if you’re just working in a vacuum of poetry. Google magazines and websites, especially ones in your area, and try to get some traction. Make yourself known in some way, even if it’s through your own website or self-published.
You can reach Marianne at her website, twitter @marianne_eloise, Instagram @mazisthebest, or by email Marianne.email@example.com
Cactus is Marianne’s debut poetry collection and contains three sections of poems about places: Leicester, Brighton, and California.. It has several poems you will never see on February Stationery.
You can find it in these places: